My “Chasing Beauty In Italy” BOOK
(The Second Edition, 2019 is available now!)
THIS IS MY LOVE LETTER TO ITALY
(& to beauty, art, history, architecture, nature, slow travel, cuisine, & Romanticism!)
My bestselling travel book “Chasing Beauty In Italy” …
NOW THE UPDATED SECOND EDITION FOR 2019 WITH 50 ADDITIONAL PHOTOGRAPHS, MEMORIES, MEMORIAL STORIES, ROMAN AND ART HISTORY, (CAFÉ, RESTAURANT, and ROMANTIC WALKS OF Rome GUIDE), EXPANDED MUSEUMS GUIDE, CINEMA AND TV IN FLORENCE, AND MUCH MUCH MORE.
THE TYPE SETTING AND THE ART AND DESIGN OF THE BOOK HAS BEEN COMPLETELY REVAMPED TO FEEL LIKE AN ART BOOK GUIDE TO ITALY.
ALL BOOK PURCHASES WILL COME WITH AN EBOOK COPY AND A PDF.
PREVIOUS PURCHASES WILL BE SENT THEM THIS WEEK.
PLEASE NOTE: THE BOOKS SECOND EDITIONS ARE AT THE PRINTERS AND WILL BE SHIPPED OUT LATE NEXT WEEK FROM THE PUBLISHERS.
CHASING BEAUTY IN ITALY:
RICH COLOR PHOTOGRAPHS OF ITALY AND ITALIAN CULTURE:
LANDSCAPES, CAFES, RESTAURANTS, HOTELS,
SCENIC VIEWS AND HISTORICAL WALKS,
AND SHARP ART REPRODUCTIONS
ALONG WITH TRAVEL ITINERARIES,
HISTORY, STORIES, MAPS,
AND A CULTURAL GUIDE OF OFF THE BEATEN PATH RECOMMENDATIONS –
IN BETWEEN MUSINGS AND MEMORIES OF ITALIA.
Read BOOK SAMPLES AND EXCERPTS: https://www.romepix.com/blog/
My first novel length book on Roman Italy; exploring 20 years of love, passion, art, and loss chasing beauty in the eternal city and (all over the cultural hot spots of Italia).
ORDERS DO SHIP OUTSIDE THE US!
SHIPPING IN USA $5.00
Canada and Mexico FOR $7.00 SHIPPING FEE
EUROPE / AUSTRALIA / NZ / THE WORLD: $10.00
See and read MORE BOOK SAMPLES AND EXCERPTS here: https://www.romepix.com/blog/
for daily European Art History & Western Culture: follow me on twitter: @romepix
for more ITALY photos and books: romepix.com
One of my favorite and most romantic things to do in Rome is to stroll through the Villa Borghese parks and gardens to one of the most elegant and sensual villa art museums on earth: The Galleria Borghese.
The Renaissance and Baroque gardens of umbrella pines, cypresses, palm trees, flowers, hedges, and exquisite lemon, orange, and magnolia trees surround the gorgeous villa, bringing one back into the past glories of Roman country estates, free and open to the public for generations.
The parks were private gardens for the aristocrats of Roman society until they were opened for the 19th century Grand Tourists. In 1820 English Romantic poet John Keats himself strolled through these same hallowed grounds before he succumbed to tuberculosis in his rooms at the Piazza di Spagna. Goethe mused through the art collection of the Borghese’s a generation before that, recording his impressions of the palazzo and of the art in his grand book, Italian Journey.
Portrait of Young Woman with Unicorn is a painting by Raphael.
The beautiful Galleria Borghese is home to part of the Borghese art collection curated by the Cardinal Scipione Borghese (nephew of Pope Paul V (reign 1605-1621).
The Villa was commissioned to be designed and built by the architect Flaminio Ponzi, partly based on sketches by Scipione, as a “villa suburbana” on the country edge of Rome. Scipione was one of the first patrons of Bernini and collected many pieces by Caravaggio, including The Sick Bacchus, Boy With a Basket of Fruit, and the poignant Saint Jerome Writing.
The Borghese collection also includes the breathtaking Bernini sculptures of David, Rape of Proserpine, and Apollo and Daphne, – and the Tiziano masterpiece, Sacred and Profane Love.
Other maestros are Raffaello “Lady With A Unicorn” (purported to be the Lady Giulia Farnese, commissioned by Pope Alexander aka Rodrigo Borgia), alongside countless pieces by Rubens, Barocci, Antonio Canova, Coreggio, Dosso Dossi, Domenichino, Veronese, Lorenzo Lotto, and Parmigianino.
Sacred and Profane Love by Titian. c. 1514
I love the gorgeous architectural details in stone and in fountains and statues lining the entrance of the Galleria Borghese.
Remnants of the past play out as well in “ancienne” statue fragments and the fountains outside the museum’s grand entrance.
The walk to the Galleria Borghese always has that lazy Sunday feeling, surrounded by Roman families and visitors enjoying the greenery and fresh air. Young and old lovers can be spied kissing under a tree or lying on a picnic blanket enjoying the sunshine and the sounds of songbirds above them.
There are homages to temples, gods and goddesses, Greek Tragedies and Comedies, and to Rome’s storied past in the “Romantic era ruins” among the pleasure walks and dreamy Umbrella pines. As you approach the museum you feel you are in for something really special… and are not disappointed in the great architectural reveal.
More architectural details by Flaminio Ponzi and Scipione Borghese create a feast for the eyes, before entering the villa with a ticket… for the Roman antiquities and Renaissance and Baroque masterpieces, … in room after sumptuously decorated room.
Tickets are recommended bought IN ADVANCE, online or at the ticket office down the stairs. To enter the museum, proceed up the stone stairs to the stunning Classical Antiquity portico where they will take your ticket.
You don’t want to miss this experience!
After an afternoon stroll and a few hours in the museum, head to the Pincio at the Golden Hour (an hour before dusk) and watch the sun set over the cupolas and ruins and houses behind the glittering Piazza del Popolo.
The golden and orange light eventually turns a deep violet, and there is an enchanting glow about Rome at its most magnificent! It is a heady, Romantic vision, and every one seems to be under a collective spell of beauty and the feeling of immortality in Éros in the Eternal City.
This is one of the best, most beautiful, and unforgettable days you could spend in Rome. It could be the most romantic Valentine’s Day of your lives. Rome seen and felt like this is truly writ on the heart for an eternity.
You can eat at the romantic nearby Casina Valadier for sweeping sunset views and aperitivos or an early dinner – they have a Valentine’s Day prix fixe menu for lovebirds.
Looking for something quicker? Walk a short distance to the late Renaissance church of the Santissima Trinità dei Monti, (French: La Trinité-des-Monts).
Pop into the sanctity and quiet beauty of the French Roman Catholic church and you may luck out with a choir of nuns singing en français classical songs of devotion while you peer at lush murals, sculptures, paintings, and the altar.
Light a candle together and head down the famed Spanish Steps just outside and whisper a snippet of a Keats ode into your beloved’s ear outside of the Keats Shelley (Byron) House Museum (worth a visit if you’re there earlier when it is open!).
Stop for a late tea at Babington’s and try their Rome in Love Tea inspired by the Paolina Borghese sculpture and Female Beauty at the Borghese, or enjoy some cocktails or champagne and light fare – offered in the luxurious comfort of their 125 year old tea room. It’s a cute British afternoon tea room with Italian flare.
Looking for something sexier? Cross the avenue and stop in at the nearby Romantics’ saucy hangout, the Antico Caffè Greco, decorated in 18th century red satin and marble decor, for drinks and desserts.
The Santissima Trinità dei Monti at the top of the Spanish Steps from the Via Condotti.
Gregory Peck’s apartment in Roman Holiday where he brings Audrey Hepburn in the film.
If you’re still in the mood for a short early evening walk hand in hand past the glamorous shops and passersby, head to the most romantic street in Rome, the charmingly low-lit, ivy covered boutiques and artisan art shops, boutique hotels, and restaurants, Via Margutta (made famous by Audrey Hepburn and Gregory Peck in Roman Holiday!) I love the vegetarian restaurant created by film director Federico Fellini, Il Margutta! They have many vegetable creations, handmade pasta and smoked cheeses, and a vegan and gluten free menu, with exceptional organic wines, mocktails, and delicious desserts, including house made gelato.
Casino Valadier’s LOVE ELIXIR
€25 per person.
La Grande Cucina S.p.A.
Piazza Bucarest, Villa Borghese
P. I.V.A. 05901701002
Tel (+39) 06 69922090
Fax (+39) 06 6791280
GALLERIA BORGHESE (english site)
Via del Collegio
00186 Roma, Italia
tel. 39 06 67231
map by Guilbert Gates
Antico Caffè Greco
Via dei Condotti, 86, 00187 Roma RM, Italy
Babington’s Tea Room
Piazza di Spagna, 23, 00187 Roma RM, Italy
And Happy Valentine’s Day from A Love Letter To Rome… to everyone lucky enough to be in the sexiest and most romantic (and Romantic) city in the world, Roma, Italia! May Cupid’s arrows always find you when you least expect (but need) amore!
Today, February 21, 2014 is Anaïs Nin’s 111th anniversary of her birth. She died in 1977.
She was the artist and writer who inspired me to read more books (she detailed and listed classics of literature in her literary diaries and helped in no small way to introduce me to much of the more interesting side of the western canon.
I found her through Henry Miller, who was recommended to me at 17 by a smug faced twenty something dishwasher at the restaurant I was a cashier girl and bartender for, the famed Harvard haunt Bartley’s in Cambridge, Massachusetts.
I found Anaïs searching for another Miller book to read after Crazy Cock and Tropic of Cancer, and ironically, (I would find out later), I found Anaïs and forgot about Henry for awhile , until I got to Henry & June, in which he featured.
I spent a lot of time as an English major and bookish girl trawling the college library shelves and the second hand bookshops of Boston and Cambridge. Nin’s childhood diary Linotte literally jumped from the shelf when I was looking for Henry and landed in front of my feet. How could I refuse a book hurling itself at me? It was a sign from the fates.
I picked up her beautifully written, rather innocent, girlhood journal which began as a letter to her absent father at aged 11 as she sailed across the sea to New York and the new world with her European mother and brothers. I couldn’t put the book down and when it was finished I eagerly sought out the continued series of Diaries which detail her whole life from ages 11 to seventy something. I also read her fiction, novellas, poetry and my personal favorite, her astounding literary criticism and advice on writing. D. H. Lawrence: An Unprofessional Study and In Favour of the Sensitive Man are two stand outs.
As I sit here and sip champagne and blood orange juice and re-read her timeless quotes, I am reminded of how radical her thinking and living was to a teenage girl who loved the lost generation and the 1920s. Anaïs not only encouraged me to travel, she encouraged me to read what I wanted and to write, to paint, to sketch, to meet people, to look for adventure, to see the magic in every day life, to risk things. To question authority and identity and ask myself the questions: is there really only one self or multiple selves? Can dreams ever be actualized? Can a woman really live more than one life? Can life be fantastic some times? What role do I want to play in the world?
Although, like Anaïs, I grew up with an absent father and an artist mother who had to work very hard just to feed, shelter and clothe her and her children, and who was poor growing up, I followed her lead in dreaming big and making plans to see the world and pursue art and culture because that is what mattered to me. I refused to see them as out of reach. And today I have been able to realize those dreams, step by step, of traveling and becoming intimately acquainted with Italy and other places I love. I have pursued my love of photography and writing.
It is not always easy to feel talented or confident about your work but I do try to search for the marvelous in every day life and seek out the fantastic and what moves me.
I try to engage with people who are also questioning life and their assigned roles, other artists and thinkers. I pursue passions and pleasures and try to find a balance…
I can be too much of an extremist, hedonist or dreamer some times in an absent minded professor way, which isn’t always great for paying the bills and attending to mundane responsibilities!
But I have had the attitude that we are here now, we live now, and I don’t want to wait until I am retired to see and experience the world. I also look for art and culture where I live and in creative friendships and partnerships which enrichen and enliven, as Anaïs did with some of the most creative and eclectic minds of the 20th century.
Nin’s dragged up relationship dramas aside, I focus on the brilliant, courageous, rebellious, mischievous, fascinating, multi-layered, artistic, open writer Anaïs Nin was and in her gorgeous, atmospheric, insightful writing, I find that constant source of clarity and inspiration I need to live fully in my dreams and in the day to day.
I owe such a tremendous debt to Anaïs Nin and her work.
You can also find me on twitter quoting her work:
I had always believed in Andre Breton’s freedom, to write as one thinks, in the order and disorder in which one feels and thinks, to follow sensations and absurd correlations of events and images, to trust to the new realms they lead one into.
“The cult of the marvelous.” Also the cult of the unconscious leadership, the cult of mystery, the evasion of false logic. The cult of the unconscious as proclaimed by Rimbaud. It is not madness. It is an effort to transcend the rigidities and the patterns made by the rational mind.
Winter, 1931-1932 The Diary of Anaïs Nin , Volume One 1931-1934
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book (Lady Chatterley, for instance), or you take a trip, or you talk with Richard, and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death.
The Diary of Anaïs Nin , Volume One 1931-1934