art at the vatican museum

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Raphäel rooms and frescoes.

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The sumptuous Borgia Apartments.

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The Vatican museum has room after breathtaking room of gorgeous golds, greens, purples, blues, reds and every soft and lush color and tone the eye can see. Everywhere you turn is the famed likeness of Lucrezia Borgia.

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The Vatican Museums trace their origin to one marble sculpture, purchased 500 years ago: The sculpture of Laocoön and his Sons was discovered 14 January 1506, in a vineyard near the basilica of Santa Maria Maggiore in Rome. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, to examine the discovery. On their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture of Laocoön and his sons on public display at the Vatican exactly one month after its discovery. (Wikipedia)

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The minor Colossus reminds me a little of a fallen David.

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One can wander room to room in renaissance splendor.

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Minerva or Diana?

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A Roman woman as goddess.

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Venus or Aphrodite?

If you find yourself at the Vatican museum – don’t visit in August, get there early or off season to miss waiting in an interminable line – and before you see the Sistine Chapel make sure you don’t skip the sculpture gardens and statuary courtyards and the Borgia Apartments and the Raphäel Rooms!

//photographs copyright rebecca price butler …

find my work on tumblr & pinterest … please link & credit me.

villa farnesina

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The Villa Farnesina is an early 16th century Renaissance suburban villa in the Via della Lungara, in the district of Trastevere in Rome, central Italy. It has incredible frescoes by Raphäel,  Sebastiano del Piombo, Giulio Romano, and Il Sodoma. The villa was built for Agostino Chigi, a rich Sienese banker and the treasurer of Pope Julius II. It was later purchased by Cardinale Farnese (future pope and brother to the Borgia mistress, Giulia Farnese).

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I had always missed visiting the lovely Villa Farnesina on earlier trips to Rome so I was delighted to finally see it in person in October 2012. The villa has a pretty little garden in the courtyard and larger gardens (fenced off) on one side. There is an understated elegance to the grounds and exterior architecture for a Renaissance palazzo. There are pink roses and pomegranate trees in clay pots.

FH050003And little lemon trees and stone lined pathways. Trastevere is a great neighborhood to visit when in Rome and this villa is even more off the beaten path if you are looking for an alternative to the usual Roman Holiday Tour.

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After the initial two or three visits to Rome I’ve tried to visit more of the quiet corners of the city and get to know my favorite spots better. It’s a “slow food” approach to travel and it’s worked pretty well for us. FH050004The large grande dame museums of Rome are wonderful to visit, especially if you have limited time in the city. But if you have an extra day or the off the beaten path vacation is more your speed, I suggest visiting one, two or three small villa or palazzo art museums. Farnesina, Doria Pamphlij, Spada, Borghese (the Queen) and a few others.

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The Loggia of Psyche by Raphaël and his workshop

It’s difficult to convey how astounding it is just standing on the marble floors, looking up at all the beautiful frescoes. Walking the same halls so many infamous and interesting figures had crossed centuries before.

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The museum was quiet and there were a few small groups moving in and out of the rooms. I had time to view the work in complete silence and solitude which rarely happens in a larger, more popular museum.

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Venus, Ceres and Juno

I had run out of color film so I shot these magnificent frescoes in black and white. I think they at least capture the richness of the dark colors and the creaminess of the “skin”. The color in person was vibrant for such old masterpieces.

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Cupid and The Three Graces, 1517-1518

A part of the great appeal Renaissance art has for me is it’s allusions to classical literature and mythology. In order to understand the works beyond my emotional response to them or my aesthetic pleasure in them, the allegorical works force me to learn the meaning behind them and catch a glimpse of the artist’s intention behind the work. What does the piece mean philosophically? Politically? What does it say about love? Man? And God? About life? And death? What historical event are they re-imagining? Beyond the beauty I am hungry for the history.

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Venus on the Chariot Pulled by Doves, 1517-1518

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The Council of the Gods, 1517-1518

FH010011Venus and Cupid, 1517-1518

When I was there I was amused to find graffiti carved into one of the walls in German! Well, normally I’d be less amused but it’s from a later Barbarian Invasion of Rome in the 16th century! At the time I couldn’t find anyone to translate it for me.

During recent restorations, an ancient “graffiti”, in German gothic, came to light between the columns. It marks the passage of the Lansquenets and states: “1528 – why shouldn’t I laugh: the Lansquenets have put the Pope to flight.”

From the windows on the first floor there is a beautiful view of the gardens. A pleasant stroll under the laurel bower leads to a marble plaque which bears the inscription:

Quisquis huc accedis: quod tibi horridum videtur mihi amoenum est; si placet, maneas, si taedet abeas, utrumque gratum.

[Trad.: Whoever enters here: what seems horrid to you is pleasant to me. If you like it, stay, if it bores you, go away; both are equally pleasing to me. ] – Academia Nazionale die Lincei

The Villa Farnesina in Rome, Italy is open from

Monday to Saturday from 9 a.m. to 2 p.m.,

Closed on Sundays and holidays
Guided tours on Monday, Friday and Saturday at 12.30

 

//photographs copyright rebecca price butler …

find my work on tumblr & pinterest … please link & credit me.