I caught a ridiculously photogenic couple in Rome taking a selfie together on the pincian hill at sunset, with cupolas and Saint Peter’s behind them. Oh, to be young and beautiful and in love in Roma, what many in this world wouldn’t give for it. If only, I think to myself…
Persimmon trees bearing fruit with a view.
A little ruin and a little Renaissance (and rococo).
Dance of the tourists on the Villa Borghese’s Pincio overlooking the Piazza del Popolo.
A kissing dove and pigeon. White doves always strike me as a symbol of Ancient Rome, much like olive trees.
I like watching the beauty of Rome unfold before other people.
Down the Pincio, on the way to the Spanish Steps, there are views everywhere of cupolas up close and far away.
The endless flow of Roman water over stone and newly fallen leaves.
There’s always a sense of play and humor in the Villa Borghese park, especially in the Pincian hill section.
Walking along the Appian Way one is reminded why Rome will always be the eternal city, winter, spring, summer or autumn.
I was born in Boston and lived there until I was six. We moved a lot, sometimes every six months and I lived in a series of small coastal towns on the south shore of Massachusetts, lining the seascape and woodsy old New England towns from the edge of the city to Cape Cod. I spent a lot of time in the city and its influence never really left me even when I was shuffled about the little beach communities. I moved back to Boston for high school and college and I’ve lived and worked there or nearby ever since, barring travel and living for a little bit in Los Angeles, Seattle and New Orleans. I have loved my city my whole life. It’s a different city for different Bostonians and it certainly has changed for me over the years. In the most compelling ways its been a city of art and books and learning (and difficult weather) and funny accents. It’s a college town, it’s a historical city, it’s mixture of working class and tony neighborhoods and has great hospitals and art museums and concert halls. It has a rich literary past. It’s full of Irish pubs, seafood restaurants and is home to one of my favorite Italian neighborhoods in the US. It’s a tough city at times and it’s a pretty one too. It has its own troubles but ultimately I found opportunity and inspiration here. I rode its trains and wrote about Boston life in the aughties. I photographed it in the last few years. And like most other Bostonians I was hit hard by the terrorist attacks at the 2013 Boston Marathon. About a week after the attacks I took my film camera and some art film and shot the makeshift street tributes and some of the scenes of the attacks. I also shot some of Cambridge (MIT – another scene of the attacks and Harvard Square and Tory Row/Brattle area) and other spots of Boston. I wasn’t surprised by strength of the city and its people in the face of the manhunt and the aftershock of violence which was palpably felt in every square mile. What struck me most was how much Bostonians were trying to be normal and live their lives and pick up the pieces on a beautiful spring day. The killers had not yet been caught. The aftermath was laid out in the closed off city blocks and there was an air of somberness in the heart of the city; at famous Copley Square, on posh Newbury Street, on beautiful, brownstone-lined Comm Ave, at the Public Garden and on Boston Common, in Back Bay and the South End. But it was also a sumptuously lit afternoon, the birds were finally out, the blossoms were opening on the cherry trees, the swan boats emerged, children ran about in the park, tourists walked with their maps and Colonial attired guides and there was a wedding in the gardens. We were still alive. We had to be. We were Bostonians. Life goes on on a lovely spring day despite ourselves. In spite of it all. Because we want to live. We have to.
My art deco building – I lived here in the dormitory for Emerson College. The location was incredible. Now they are luxury apartments.
I had one shot. I couldn’t blow it. I wanted to hide and be invisible and take his portrait across the piazza. I had one frame. And then it would be lost, the moment, the intensity of feeling, his direct gaze before self awareness gets the best of him. He gave me more than I could have hoped for, my Neapolitan. My soldier. I cannot hide from his direct gaze.