Chandeliers in Roman Churches; on being and nothingness
Posted on April 14, 2013
When I was last in Rome, in October, I spied the most beautiful chandeliers hanging from very old church ceilings throughout the city. The churches were built upon layers of history, starting from the ruins of pagan temples thousands of years ago, with places of worship erected piece by piece like a mosaic throughout the first whispers of a Christian Rome through the middle ages to the Renaissance. The Santa Maria in Ara coeli is on the capitoline hill in a foreboding, plain edifice hiding treasures of lights, stonework, faded marble, pillars from various eras, countless sarcophagi and dazzling chandeliers. The Santi Giovanni e Paolo is built on the ruins of the Roman saints John and Paul’s houses… and their remains, martyred in the 4th century. It boasts Byzantine flourishes, a coffered ceiling, gorgeous frescoes and a hushed, ancient stillness that hangs in the air. It was the first church to be built in Rome and has seen many facelifts and stylistic touches over a millennia.
Pillars from different centuries in Santa Maria in Ara coeli
Coffered ceiling and ornate interior in Santi Giovanni e Paolo
The imposing, numerous chandeliers of the Basilica of St. Mary of the Altar of Heaven, Basilica di Santa Maria in Ara coeli al Campidoglio.
Bright frescoes and peeling paint over faded stone and wood in Santi Giovanni e Paolo. The chandeliers appear even more elegant against a faded backdrop.
The churches are particularly breathtaking in person. They remind me of the somber prayers and cries heard in these walls over centuries of visiting pilgrims and faithful Romans alike. The splendor of the chandeliers and the art work only add to the sense of contemplation I feel wash over me whenever I enter their doors. I am an outsider on the one hand and a product of Judeo-Christian thought on the other by my very life in the western world. In America. Because of my Catholic and Protestant émigré forbears.
As the daughter of lapsed catholics, I was not raised with church but with the talk of God and conversely, the discussion of “no god” growing up. There were stories of gods and theories of prime movers or nature or the impersonal universe as the sources of mankind. There was the appeal of ens causa sui, being one’s own cause. There was also the fear of that idea. So many ideas whirled around me in the conversations of adults. Nothing was ever formed, nothing was concrete. Life was fluid. Beliefs were temporary lapses of judgement. The mystery of the unknown barred an anchor, yet my openness to all possibilities was also a kind of freedom.
What a delicate balance in life we all lead.
I still don’t know the answer to any of these big questions, or the Big Question, but I feel a subtle change, a quiet shift take over within me, in the quiet corners of Rome. In the buildings made of stone and marble, under the statues and paintings. When I enter into the symbolism of the stories, when I breathe in the heavy air of history, something fills my imagination whilst I am there and it’s hard to move away from it. It never really leaves me. Old chapel or cathedral, broken temple, an all but vanished sacra, an altar of astronomy and science or art – they are all my churches.